Histories and futures

Project:
Controlled Dream Machine

RUN ME
The project is part of Controlled Dream Machine that consists of 4 videos connected; it can switch between them by pressing a joystick button. The videos are the beginning of the robot Leg dreams. The buttons means the behaviours of the robot legs.
The project was made by Max Msp/Jitter software.
You can download the Max Msp file here and the videos here: Sensation1, Sensation 2, Collective Unconscious, Transpassages. Then plug your joystick and play.
Also, I will show the virtual movements of the robot leg made in C. To see this file you can download and execute it in your PC. It is an .exe file.

READ ME
The READ ME refer to the project Controlled Dream Machine. To write about the project I am drawing upon references in the field of psychology, consciousness and cybernetics. I am using concepts of the unconscious in the work of Freud, Jung, Deleuze, Guatarri and Simondon; and the cybernetic theory of  Norbert Wiener.

Description:
Controlled Dream Machine is an installation about a dreaming robot leg, which is a light kinetic sculpture, suspended from the ceiling and the dreams are expressed by animations projected in front of the legs. The legs are simulating the physical body of a person dreaming - the consciousness, and the animations are the unconscious mind in form of a dream.
The legs are constantly generating behaviors and feedbacks from the dreams, which are depending of what kind of dream the legs are in the moment. It is dreaming with sensations, memories, traumas, nightmares and collective unconscious. Distributed patterns of neural activity are guiding the behaviors of the robot legs body in his dreaming process.
The project brings life, emotions and dreams to a robot leg as if has it’s own life and imaginary world. It is analyzing and reflecting in the human’s behaviors between consciousness (symptoms of the body) and unconscious (mind and dreams); also, reflecting in the entire formation of the self and humanity history.

The READ ME will introduce three concepts:
The machine as a dream producer
Consciousness and the body
The leg’s unconscious

 

The machine as a dream producer
The system created is analysing the entire formation of the self. It is questioning and reflecting the process someone passes through generating an unconscious mind; of acquiring a personal history, feelings, emotions, desires and also on the way people build their own self. The answers to many questions are found in the expression of the unconscious mind, mainly because it is the hidden, repressed and a deeper expression of the self. Through analyzing dreams we can reach places where secrets reside, where repression lies and explore the locked inaccessible spaces that is the key point of the formation of the self, where people are sculpting their bodies and minds. “For Freud, the unconscious was a depository for socially unacceptable ideas, wishes or desires, traumatic memories, and painful emotions put out of mind by the mechanism of psychological repression. He developed the idea that there were layers to human consciousness: the conscious, preconscious, and unconscious. He thought that certain psychic events take place "below the surface", or in the unconscious mind. A good example is dreaming, which Freud called the "royal road to the unconscious". Sigmund Freud says that the unconscious is a submerged but vast portion of the mind. In his view, the unconscious was composed of the id, which accounts for instinctual drives, acts as the motivating force in human behaviour, and contains desires and wishes that the individual hide or represses from conscious recognition; and part of the superego, the system that acts to restrain and control id impulses.” [1]
I believe that our body and mind are been sculptured, reshaped constantly according to the key points of the personal life history. The ingredients can be moments, people, actions, cities and energies that materialises in your individual shape been constantly reshaped. Obviously, people try to delete the embarrassing parts of their histories, tending to ignore them because they are afraid. But it does not get deleted; everything goes to the unconscious and creates a black hole inside our bodies.  Then, these embarrassing repressed black messy hole and the behaviours, the symptoms that it is generating in the body are the main purpose of the creation of this System called Controlled Dream Machine. The system is constantly expressing their unconscious and receiving feedbacks, the symptoms of her body. Mainly, the system can be described as a dreaming robot Legs exchanging behaviours with her unconscious mind expressed through animations. First I found the necessity to build a physical object, the body (robot legs). Then, as if I give birth to it, constructing a place and a history. After, as if can generate memories and a mind full of its own dreams.

 

Consciousness and the body
The kinetic sculpture robot legs are a metaphor of the physical body of someone dreaming, the state of consciousness. Starting from the principle that first I need to give birth to a body, then proportionate it a history, environment and emotions. Then, it can develop its unconscious, behaviors and shapes according to its life history.
But who is controlling the system? Who is the head of the system? Millions of live neuron cells in a chip are the working machines of the process. They are very primitive neurons cells of and egg trying to learn and to grow in collective, this collective is sending data to control the dream of the leg robot. It keeps working and trying to generate memories from equal numbers, as if it was the collective unconscious of human history.
In this system the robot legs are exchanging symptoms with her mind through behaviors (feedbacks). Its behaviors depend on what kind of dream the leg dreams and witch area of the dreams the legs are. Those spaces are constantly calling chemical sensations called symptoms such as neuroses, bipolar, anxious, fear, nervous, anger, happiness, calm and so on.
The body (robot legs) reacts like a puppet to the unconscious. The consciousness is only the recording surface of the self. “Freud says that the Conflict between conscious and unconscious impulses are said to give rise to anxiety, then to defence mechanisms, which counteract this anxiety. To tap the unconscious, Freud used a variety of techniques, including hypnosis, free association, and dream interpretation. Conscious cognitive processes, such as thinking, are performed by the ego and part of the superego. Freud used the idea of the unconscious in order to explain certain kinds of neurotic behaviours.”[2] 
How can someone dream without a body to be in? How can someone think and live without a body to be in? I found the body been the consciousness of the process.
Not only do the virtual worlds need a body, a head to develop, but also the dream space needs a body to be in, as a living storage system.
Inside dreams, it seems that our body is floating, feels like it has a different shape and density. Sometimes we can be without the body, and the sensation is that we are only a narrative that flows like waves. Also, the sensation in dream space is that our bodies are not centered in any one place, neither in conscious nor in unconscious. It seems that I am neither a body nor a mind; I am floating in between boundaries. Like a very sensitive connected line filled of energy and organic materials, exchanging sensations in an enormous circuit. The body presence is free of interpretation; perhaps it depends on the energy you are carrying in the process. The leg robot as a body is a metaphor of this circuit.
In the hidden and repressed part of our psyche lies the vast and unexplored reality of our dreams. It is producing projections of strange movies and images, fragmented narrative spectacles of our fantasies, illusions and desires, only partially remembered. The movie Director Atom Egoyan once said about the dreams “Those strange nocturnal movies we project on some interior cranial screen are presented in a certain film language”. [3]
The art exhibition Videodreams, Between the cinematic and the theatrical, the curators was Peter Pakesch and Adam Budak, which I have found works related to dreams, it was showing artists such as Aernout Mik, Mark Lewis, Rodney Graham, Joan Jonas, Katarzyna Kozyra, Fabienne Audeoud, Judy Radul, Tony Ousler, Arthur Zmijewski, Sharon Lockhart, among others. The artist Peter Cook described his project called Shadow house (1980): “We are inspired by the notion that spaces need not be defined by walls. Lines needs not be boundaries. Objects seem may be both illusory and tangible. Or that an elusive object might be related to something that is tangible and tactile, but not too obviously.” [4]
Why am I using a robot Leg? I am using a robot leg in the system to make an analogy to the entire world system as a machine. Deleuze says, “Under the skin the body is an over-heated factory” [5]. The planets control the earth as the unconscious controls our sensations. Outside happenings are guiding inside behaviors of the body. Everything is connected. The system of the world made us a machine to produce and consume, directed to consume and to swallow fake consciousness. The system Controlled Dream Machine is the obscure hidden intangible part of the nature system. It uses the robot legs body as storage to return the forgotten and the repressed.
References in cybernetics present an analogy to the system created as a parallelism of the entire formation of the self by analysing the behaviours (feedbacks) generated in the body that come from the unconscious. “Cybernetics was a term coined by American mathematician Norbert Wiener (1894-1964), it offers a new approach to the study of the human mind and behaviour, based on a comparative study of the electrical circuits of the nervous system and those in the highly complex mechanical brains in the gigantic electronic calculating machines. In other words, cybernetics attempts to find the common elements in the functioning of automatic machines and of the human nervous system, and to develop a theory, which will cover the entire field of control and communication in machines and living organisms. The construction of more and more complex mechanisms actually is bringing us closer to an understanding of how the brain itself operates.” [6]. Also, cybernetics is typically involving regulatory feedback in living organisms, machines and organisations, as well as their combinations. For example, in sociotechnical systems, it includes the study of computer-controlled machines such as automata and robots. [7] In reality our mind is trying to maintain an equilibrium and balance all the time. This reflects the way the system of the world was created and organized by human society. But it is obvious that is not possible to find a rigid equilibrium in reality, because we are experiencing chaos without rigid preventions and controls. In the dreams we forgot the existence of this equilibrium and balance, there are only residues of that.
The system is showed by an omnipresent mechanism of outside (robot leg body) and inside (her dreams), reflecting the behaviors, feedbacks between this relation consciousness-unconscious, exploring the mental levels of the human psyche. As a result of this interconnection, the work atmosphere is not only an estrangement between awakening state, somnambulant drive and REM (Rapid Eye Movement), but also it is marked by a fragile tension involving neurosis symptoms behaviors coming from the body of the robot legs passing through the dreams. The Robot Legs is a kinetic sculpture in a fragmented body; she is performing a lonely alive neurotic robot Legs in a semi-conscious process of searching for identity in a dream state process.

 

 

 

The leg’s unconscious

We are living inside a world, experimenting within it. The world enters us and then our unconscious is produced. The real world is very restricted; it is full of rules, physicality, narratives, linearity, among others barriers. The unconscious is full of references from the real world, but in dreams it appears without sequence in a bowl mixed with everything you have absolved.
The dreams proportionate an immersion in an environment that ignores all restrictions; everything becomes possible. It generates an experience of a new world inside the old world. It is a randomness trip; it is like programming that has its own way, a trip without directions, very sensorial and emotional. When dreaming we have the notion of the world, life and sensations; however, it is involuntary. We get immersed in an obscure neural network without control in a process full of emotion, sensation, and feelings.
The unconscious is like a disturbed and mysterious net and we can’t control it, it just flows. It is a pure manifestation of the self, an individual trip through our insides. Nobody is able to manipulate your dreaming process; it is extremely individual and unique, it is the emotional expression of our own history in a road through a lonely trip inside us.
The neurons are working in a neural network; they are catching all the time references from the sensations, memories and histories of the past. Through their connections they are conceptualizing new formats for the future. The future is all connected with the past; the existence, the generation of the future depends on the past happenings. It is connected in a chain of moments, like a connected machine. The neural network works as a chain, a connection between the future and the past, such as the consciousness and the unconscious, the body and the mind.
The collective unconscious is a concept to describe the residue of all the energy and history of the world in a population size, which you unconsciously ingest inside yourself, such as religions, politics, rules, patriarchy, media and so on.  All the people are involved together in a repression situation, called alienation, mediocrity. The world is composed of bad and good things, but each person absolves themselves from different things. The term collective unconscious was first introduced by Carl Gustav Jung in 1916. “In Jungian psychology, a part of the unconscious mind, shared by a society, a people, or all humankind, that is the product of ancestral experience and contains such concepts as science, religion, and morality” [8]
The way the unconscious is modelled, solidificated is similar to the life. It just gets what they want, so each unconscious space is unique as each city, each person of the world. Not only the journey is always unique but also the choices. It is the constant development of new forms of representation and visuals. The dreams happen as a surreal movie in a rhizoidal way, it is deeply rich of meanings.
The unconscious is intricately, connected to memory, it is a memorial conception that happens with people, objects and spaces, being the ground and being capable to conserve and identify them. The unconscious deals not only with people and objects but also with desires, maps and routes. The cartographical conception is very different from the archeological conception. In the archeological there is a progression, a development and origin, where the memories is being registered. In contrast, the maps, the cartographies, there is no origin, beginning; it is about to evaluate the changes of the routes, displacements covered. Each map is not only an inversion of the meaning, but also a difference of nature. For Deleuze the unconscious is as a machine producing desires in an effervescent bow without absence, in excess. The unconscious ignores people, it is a production machine, where it produces flows and cuts; the production is always between people, objects and things. The production happens in the environment between objects, familiar relations, non familiar relations, things, of the desire production that we feel the life and the interrogation of what is life. To Deleuze, the unconscious is orphan; it produces itself in the breast of the identity of the nature and the man. To Guatarri, the lapses, dreams, traumas, symptoms are like a bird that beat with the beak in a glass window.  Is not about to interpret them, but to detect their trajectories to see if there is indicative rescues of new universes of references, being susceptible to reverse a situation. [09]  
The expression of the Leg robot’s unconscious in the piece Controlled Dream Machine is made by an animation mixed with videos in a sort of fragmented narratives episodes. The film appears as a unique surreal construction of delirious, appearances, deconstructions and illusions, achieving the sense of unreality, impossibility, by manipulating the perception of space, geometry, architecture; also, emphasizing the fragmented layering of images as projections of dreams and desires, immersed and produced by the mind of this robot Leg being.
The system is showed by an omnipresent mechanism of outside (robot leg body) and inside (her dreams), reflecting the behaviors, feedbacks between this relation the consciousness-unconscious, exploring the mental levels of the human psyche. As a result of this interconnection, the work atmosphere is not only an estrangement between awakening state, somnambulant drive and REM, but also it is marked by a fragile tension involving neurosis symptoms behaviors coming from the body of the robot leg passing through the dreams. The Robot Leg is a kinetic sculpture in a fragmented body; she is performing a lonely alive neurotic robot Leg in a semi-conscious process of searching for identity in a dream state process.
The robot leg expresses five mainly important dream’s spaces inside her mind that is its Sensations, Memories, Collective unconscious, Traumas and Nightmares.
All of these spaces are hooked through Transpassages and they are all immersed into another. Transpassages is a term used by Deleuze. These transpassages symbolizes the labyrinth passages of space or transportation of the dreams sequences, the passages between the sensations stages. When dreaming we are guiding by sensations in the dream body, it leads us to referenced spaces of desires, memories, traumas, etc. All these feelings are connected and sometimes they are experimenting each other’s at the same time.  For example, in a dream if you deal in a traumatic situation, the road to nightmares is very close and it will affect the conscious of your body, giving rise to anxiety, fear, neurosis, obsessions, depressions, hysteria and so on. Sensations are like the avatar of the mind and the body system, being the primordial feedback from everything, also being the generator departure point to build the actions and the space.
The memories is the huge part of the unconscious, everything is connected to the memories. The memory has the ability to retain and recall past states of consciousness. Memories bring symptoms to the body by recalling forgotten and repressed traumas. The Leg robot are floating in the process of getting a trauma, repressing it, trying to forget, (it is kept under lock and key inside the unconscious), after then, it generates a symptom in the legs body in formats of hysterical behaviors, the legs is remembering everything to finally be healed. “As Freud’s model of heal: trauma / repression / forgetting / symptom / remembering / healing. Freud said, hysterics suffer mainly from reminiscences”. [10]
The leg robot is dreaming the environments “Locked memories” and the “Connected Memories”. In Locked memories she is calling all the lost memories of the cell’s body since it grown up until her old days, the process of being someone, it is all happening inside a glass head locked by a key.  The Connected Memories are exchanging all the remembering, thoughts the leg had with very important people. It is exchanging affections, caress, love, affects; the process is done by two glass heads looking each other faces. “Eugen Tarnow suggests that dreams are ever present excitations of long term memory, even during waking life. The strangeness of dreams is due to the format of long-term memory, reminiscent of the Penfield & Rasmussen’s findings that electrical excitations of the cortex give rise to experiences similar to dreams. During waking life an executive function interprets long term memory consistent with reality checking. Tarnow's theory is a reworking of Freud's theory of dreams in which Freud's Unconscious is replaced with the long term memory system and Freud's “Dream Work” describes the structure of long term memory”. In psychology long-term memory is the storage of information indefinitely so that it can be used again and again at a later time. Long-term memory (LTM) is memory, stored as meaning, that can last as little as 30 seconds or as long as decades. It differs structurally and functionally from working memory or short-term memory, which ostensibly stores items for only around 30 seconds. [11]
The collective unconscious environment is fully immersed of eternal sensations and humankind’s memory that is passed through generations by generations to the individual body, immersed into the genetic DNA of the individual as the history of the human evolution. On the Psychology of the Unconscious, Jung says that “It seems to me that the origin [of the archetypes] can only be explained by assuming them to be deposits of the constantly repeated experiences of humanity” [12]I am trying to build the robot Leg dreams as I look to my self. According to my daily process of writing and drawing dreams, I perceive that my unconscious reveals many symbols that are common almost everyday. Symbols such as the water, keys, waves, family, friends, farm, height, airplanes, day rescues, and so on. The water is presented in almost all of the dreams. I hook the water with emotions. Also family and friends are very much observed; it comes across important memories. These memories can sometimes follow to traumas and obviously the road between traumas and nightmares are very close.
Adventures are very present and active. Theses adventures are always corrupting the limits of the physical principles of the world such as gravity, materiality, death, pain, and so on. The interesting point is that all the symbols can always exchange between them, especially people, sizes and meanings of everything. That is why the unconscious is so abstract, surreal, mysterious, rich and full of interpretations. Sometimes, the symbols inside the dreams can have all the meanings you need to understand a situation or reverse a problem. Then, this can take you into a new step or floor.

References:

[1] http://www.answers.com/topic/unconscious
[2] http://www.answers.com/topic/unconscious
[3] Adam Budak (2004), Videodreams Catalogue, German:Kunsthaus Graz, p. 12
[4] Peter Cook (2004), Videodreams catalogue, German:Kunsthaus Graz, p.10
[5] Gilles Deleuze and Félix Guattari, (1990), ‘The Desiring Machines’ in Anti-Oedipus: Capitalism and Schizophrenia, (first as L’Anti-Oedipe in 1972) trans. Robert Hurley et al, London: Athlone, p. 3
[6] The American Heritage Dictionary
[7] Norbert Wiener (2000), Cybernetics: or Control and Communication in the Animal and the Machine (1948), Cambridge, Mass: MIT Press.
[8] The American Heritage Dictionaries
http://www.answers.com/topic/collective-unconscious
Jung, Carl Gustav (1990), The Archetypes and the Collective Unconscious, Trans. R. F. C. Hull. Bollingen Series: Princeton University Press
Jung, Carl Gustav (1916), The structure of the unconscious, Coll. works, vol. VII, London: Routledge & Kegan Pau
[9] Deleuze, Gilles (1987), A thousand plateaus: capitalism and schizophrenia. London: Athlone Press, p.96
[10] Sigmund Freud (1895), Studies on Hysteria, London: Penguin Books, p. 7.
[11] Tarnow, E. (2003)            Dreams And Memory May Be Related Neuro-Psychoanalysis, Thompson, B.C. p. 177-182
[12] Jung, Carl Gustav (1919), Psychology of the Unconscious, London : Kegan Paul, Trench, Trubner,  p.69)